Harold and the Purple Crayon
I wish Ayn Van Dyk could see 'Harold and his Purple Crayon.'
Renée Allard is an advocate for Derek Hoare (Ayn's father) who put me on to
this story of another young child for whom Harold and his purple crayon became a conversational
release. This is a true story and it concerns a little autistic boy who does not speak, but in the subdued lighting of a
theatrical treatment of this story, the boy was moved and enabled somehow to
talk through the entire production. He was so stimulated and captivated by
Harold and what he could do.
‘Harold and the Purple Crayon’ is a 1955 children's book by Crockett
Johnson. This most popular book, led to a series of books by Johnson. The book
features a curious four-year old whose imagination - and ubiquitous purple
crayon - lead him into a world of his own invention. In the story, the little
boy takes a walk. Then using his purple crayon he creates everything he
encounters along the way. He draws a forest with only one tree, a dragon who
guards the apples on the tree. He creates an ocean and a sailboat to navigate
it, land to land on. On the land a picnic with nothing but pies, a hill with
only one side, a hot-air balloon to save him from a fall and a big city with
lots of windows. But none of the windows are his, and it's time to go home.
Finally, he draws his own window and his own bedroom and his own bed and goes to
sleep.
Since then, HBO
created a 13-part Family series that centred on Harold. Actress Sharon Stone narrates
the series. Each episode revolves around a theme or issue that is pertinent to
this four-year old and his preschool counterparts. It might by independence, exploration,
curiosity, or fears. In order to grow, Harold needs to explore, and that
involves taking some risks and overcoming obstacles. It is a matter of trial
and error.
You can download that video.
It has also been adapted some time ago into a wonderful musical play by Adam W. Roberts who wrote the music and the lyrics. Roberts took the
book about Harold and his purple crayon, added a few characters, peppered his
play with lots of songs, and turned it over to Adventure Theatre for its world
premiere. The squeals of delight and hoots of laughter from tiny tot audiences
is convincing evidence of its success.
Latterly there has been news for a couple of years that a feature film of Harold and his crayon is now set up at Sony Animation, where
Will Smith, James Lassiter and children's book author Maurice Sendak are
producing an adaptation that will reportedly be all-computer-rendered.
Now back to the small boy mesmerized by the play that he
watched. On a technical note sheet written by Michael B. Paul, stage manager of
the Seattle Children’s Theatre, his performance notes include a reference to a
five year old autistic boy about whom he learned following the show. The boy
had never spoken before that night. When the lights went down, the child began
to talk in full sentences. He called his teacher by name and she had no idea
that he knew her name. He was engaged in the show and commented at one point
that if there is a dragon, then there will be fire. An certainly, there was
fire. He talked throughout the feature and when the lights came up, he stopped
talking. He returned to his world. Then the manager wrote that he could cite
all the things that went wrong with the production but that was not was this
show was about but rather about a boy who could sit in the dark of a theatre
and watch Harold and his purple crayon do magic.
Wouldn't it be marvelous to know that Ayn received such visual pleasure and stimulation?
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